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2017-11-13 03:25:04
Long before Walt Whitman wrote Leaves of Grass, poets had addressed themselves to fame. Horace, Petrarch, Shakespeare, Milton, and Keats all hoped that poetic greatness would grant them a kind of earthly immortality. Whitman held a similar faith that for centuries the world would value his poems. But to this ancient desire to live forever on the page, he added a new sense of fame. Readers would not simply attend to the poet¡¯s work, they would be attracted to the magnificence of his personality. They would see in his poems a vibrant cultural performance, an individual springing from the book with tremendous charisma and appeal. Out of the political rallies and electoral parades that marked Jacksonian America, Whitman defined poetic fame in relation to the crowd. Others might court the muses on Mt. Parnassus or imagine themselves in the laureates¡¯ sacred grove. Whitman¡¯s poet sought the approval of his contemporaries. In the turbulence of American democracy, fame would be contingent on celebrity, on the degree to which the people exulted in the poet and his work.
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